I’m at the “Love Is… Australian Wedding Fashion” exhibition at the Powerhouse Museum.
This was a very interesting exhibition but it’s not really about “Australia.” It’s about White Australia. It starts with a room about “early history” – which begins with “convicts.” Already Aboriginal and Torres Strait Islander people are erased, but to add injury, the room uses an unnamed Indigenous song that plays in the background to a room full of White colonisers. There is only one Aboriginal designer in the entire exhibition – Dharruk and Darkenjung woman Robyn Caughlan (in this video) – but no couples. Continue reading Love Is… Australian Wedding Fashion
The Jean Paul Gaultier exhibition at the National Gallery of Victoria, in Melbourne, made some interesting comments on gender.
Gaultier’s evolving style blends ideas of masculinity and femininity, but at the same time is still centred on mainstream ideas of heterosexual women: showing off curves on (mostly) slender bodies.
JPG has used gender non-conforming models throughout his career, including transgender women, and other body types and femininities seldom seen in high fashion, such as “plus sized” models. This is referenced as part of the exhibition, but it would have been more interesting to see this displayed via the mannequins.
The room dedicated to the artist’s punk roots was an absolute delight, and I spent way too much time in the futuristic-themed room displaying his film designs. I was ecstatic to see the designs from Peter Greenaway’s The Cook The Thief His Wife and Her Lover.
The stories of the designer’s life were my favourite aspects of the exhibition, giving context for his lifelong interest for evoking traditional Western styles of femininity using corsets.
JPG is a fascinating figure that has commanded much academic attention, due to his contradictory reflection of art and commercialism and for speaking out on Lesbian, Gay, Bisexual & Transgender (LGBT) issues; and not without controversy.
Million Dollar Mermaid: Annette Kellerman is a current exhibition at the Powerhouse Museum. Kellerman was an Anglo Australian woman who broke many records and was a superstar in her day. Born into a highly educated and musical family in Sydney, she was diagnosed with rickets as a girl. She took up swimming to strengthen her legs and showed such prowess that male athletes encouraged her to take up high diving in the early 1900s, which high class Anglo Australian women did not do at the time. Still a teenager and having swam across the mighty Yarra River in Melbourne, she went to London in 1905 and competed in men’s marathon swims in the Thames, Seine and Danube rivers. Continue reading Million Dollar Mermaid
“Modern Australians of global origins who are proud of where they came from and proud of who they are. Modern Australians. Yet, some of these designers are ignored by the Australian fashion industry, and what’s worse, some Indigenous Australian designers are not even acknowledged. It is disappointing that Australian Indigenous Fashion Week was a separate event from Australian Fashion Week.”
Quote and photo: http://buff.ly/2jkxNCc [Photo: Fijian-Australian model and author Dusk Devi Nand modelling in a magazine]