And I for Truth

Part 2 of 3 of my visual sociology for 2019. Take in the flavours of April to June. We start with a look at the architecture of inclusion. Then we go backwards, so you may join me in a feminist retaliation. Let’s then reminisce over racial justice at the Sydney Writers Festival, and think deeply on Aboriginal women’s family bonds through the wonderful play, Barbara and the Camp Dogs. We go on to trace the joys of the Finders Keepers market, the Sydney Comedy Festival, and Peruvian treats. We bear witness to the destruction being imposed by the Adani mine. I also bring you a cornucopia of the sociology of trolleys, and a special guest appearance by the enigmatic Bubsy.

Accessibility in Redfern

Here is the redesign of the entrance to the heritage listed Redfern Station (by builders Gartner Rose). An $100M upgrade was announced in February to address accessibility. The station currently fails to meet standards set by the Disability Discrimination Act. There are only one set of lifts to two of its 12 platforms. Its underground platforms (11 and 12) are considered a significant health risk in the case of fire, second only to Town Hall. 

Redfern Station entrance has large lettering: REDFERN. Yellow, red and brown thin rectangles decorate the exterior. People walk across the road

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