Another Cine Latino film: Woodpeckers (Carpinteros). Unsettling but excellent Dominican film entirely focused on Afro-Latino characters. Julián (Jean Jean) is awaiting sentencing when he’s put into one of the “less hellish” prisons in Najayo. That is to say, an overcrowded, filthy and violent place where many prisoners sleep on the concrete floor. Julián is second generation Haitian-Dominican. In a terse exchange with his brother, we learn he is an entrepreneurial “low level” criminal who doesn’t want to be locked into a low-paid menial job.
Julián quickly earns a job communicating with Yanelly (Judith Rodriguez), the girlfriend of another high-profile inmate who is banned from an open area. Men and women communicate across prison using invented sign language which changes often to stop guards from learning conversations. Julián is soon captivated by straight-talking Yanelly.
The guards and inmates are all Black, and while it’s not ideal to have yet another film focus on crime, it is a story with complex characters. The film is highly violent and it deals with sex, anger and high octane emotions in a compelling way. The film is billed as partially depicting true events and the extras are all prisoners. The film makes for a searing sociological study on social norms and institutional functions. One long, continuous take as Julián walks tautly across the prison is utterly breathtaking.
All the actors are tremendous, but Rodriguez as Yanelly will linger in your memory.
Photo: The Other Sociologist. [Entrance to a cinema with the word “Palace” over the doorway. A man looks at his phone in front of the door.]