I’ve been away for work for awhile now, and hope to bring you more on this soon. For now, I thought I’d share with you a post I had planned to publish weeks ago, but haven’t been able to finish until now. Let’s talk about the sociology of Indian people in Australia, with a case study of the Hindu festival of Diwali in Melbourne.
Indian migration to Australia has a long history, dating back to the 19th Century, with early records showing the British brought Indian servants (noting this may have included forced servitude). At the time of colonial Australia’s first Census, there were 1,800 Indian people in Australia. Today, Indian-Australians represent our fourth largest migrant group and they are also the biggest growing migrant group next to China, with their population doubling in the past decade, according to the Australian Bureau of Statistics.
This video by Eddie G provides an engaging Mexican-American introduction to El Día de los Muertos (the Day of the Dead). Eddie G captures how one community celebrates the dead, as just one step in the “pyramid of life.” In describing the symbolism of the colours of a symbolic altar, one woman says:
[In Spanish] “The yellow is the beginning of life. The red is the momentum of the blood. Green represents settling down, starting a family, working, and helping the community. Blue represents the sky. The elders reminiscing and talking about their memories. That’s all we have left. The top is white. That’s death. “
The Day of the Dead has grown in popularity in the United States and in other places outside Mexico. Non-Mexicans may be attracted to the colourful costumes, the skulls, face-painting and the “cool” allure of death. Yet the significance of this spiritual festival is more than just about death. It is a symbol of post-colonial struggles and a celebration of life. Continue reading Sociology of the Day of the Dead
Black American cultural theorist bell hooks’ distinguished contribution to sociology has been to unearth the intersecting issues of cultural difference, race and knowledge within feminism. Starting out as a literature professor, hooks would go on to challenge cultural studies in the early 1980s with books such as Ain’t I A Woman?: Black Women and Feminism and Feminist Theory: From Margin to Centre. Her work shows how women of colour have been marginalised by power structures in society as well as by White feminists who purport to speak about the universal struggle of all women. hooks argued that mainstream feminism silences experiences of race, ethnicity and class.
For the past three decades, hooks has explored the representation of race in popular culture, and how this affects social relations and public education. In the seminal Cultural Transformation video series, from 1997, bell hooks explains the importance of critical thinking for women in general, as well as for racial justice. Her work has been adopted by feminists and cultural theorists around the world. Let’s take a look back at this work and its prevailing resonance two decades later.
Why is swearing on TV more offensive than graphic depictions of violence?
In December 2011, The then-Australian Minister for Communications, Senator Stephen Conroy, created a media controversy when he swore during a live address on the national public broadcaster, the ABC. This live gaff had me thinking about swearing, the power of ‘bad words’ and the regulatory bodies that set and enforce the standards for television programming. It’s popped back into my mind as I’ve been thinking and reading a lot about power dynamics and the changes in linguistic practices.
Speaking to the National Press Club about the proposed tax for the National Broadband Network, Conroy said:
“If a tax goes up, God, that is sovereign risk, but if a tax goes down, its fucking fantastic. Excuse me – that is fantastic.”
This comment went to air during 12:30 pm and 1:30 pm. As Aidan Wilson (2011) points out, Conroy’s offence was not simply using a ‘vulgar’ word, but also that his address was followed by the ABC’s afternoon children’s shows.
The language guidelines for TV shows can be confusing. Why are some words allowed in some contexts and not in others? It’s not simply a timing issue – some swear words are only allowed to escape the mouths of thespians late at night but not during the day. This makes sense if you’re trying to protect children from being exposed to certain swear words.
The again, some words are generally considered to be more offensive than others – but the social norms on this are not clearly articulated by law.
This past week, Australia celebrated NAIDOC Week (8-15 July), a time to recognise the leadership, culture and achievements of Aboriginal and Torres Strait Islander people. Originally standing for National Aborigines and Islanders Day Observance Committee, NAIDOC Week has historically reflected the ongoing resistance to genocide, assimilation and land dispossession, famously culminating in the annual Day of Mourning in 1938 (a protest against Australia Day on 26 January). The NAIDOC committee emerged in 1956, and has in recent decades coordinated local and national events and awards to promote Indigenous excellence. This year’s theme is Because of Her We Can, promoting the multiple leadership roles of Indigenous women for their families and communities, as they push for social justice and human rights at the local community and national levels.
Being Chinese in Aotearoa: A Photographic Journey. This is a stunning and informative history of migration. It documents difficulties and triumphs in the face of ongoing racism. Highly recommend visiting if you’re in New Zealand Aotearoa. On the left you can see Appo Hocton (Ah Poo Hoc Ting), who arrived in his 20s, in 1842, to become the first documented Chinese-New Zealander. Continue reading Being Chinese in Aotearoa
“The problem of unsafe plastic surgeries also has not been taken seriously because Colombian society divides victims into ‘good’ and ‘bad.’ It has a serious lack of empathy with the victims of unsafe cosmetic surgeries… The surgeries that society rejects are those that have to do with women’s sexualisation. And in Colombia, for women, there is only one thing worse than being a sexual object: not being one.”
Beauty ideals and their consequences are not immutable, natural or unavoidable. They are socially constructed. This means that what people take to be normal and fixed facts about the world are actually determined by social norms, culture and social interaction. Peter Berger and Thomas Luckmann have established this theory, showing how individuals’ knowledge and perception about social reality are shaped by their social position within a given society, otherwise known as their social status. While there are positive and negative social outcomes that flow on from beauty hierarchies, these are not the logical result of natural selection and biological drive. Renditions of beauty found in art and pop culture reflect the way in which broader narratives about beauty are socially constructed.
The Korean Embassy opened its for doors to the public for Windows of the World, a celebration of our embassies and Australian diplomatic relations. So much amazing food it was hard to choose, but I went with Bulgogi. It is delicious, especially to the background K-pop music is equally awesome. Continue reading Windows of the World
Writer Joanita Wibowo has published a thoughtful profile on three second-generation migrant-Australian women, featuring this quote from Sabina, a Lenanese-Muslim Australian:
“She went on to study sociology at university, which turned out to be ‘a really empowering experience’ for her. Sociological theories and language, she says, helped her understand her ordeals. ‘My trajectory as an academic was influenced very much by the experiences of how I’m feeling like an outsider as a child,’ says Sabina. ‘The only thing that gave me control over those experiences was being able to explain them.’ (Source: Junkee)
Sociology also gave me the tools to understand my ‘otherness,’ and advocate for migrant women and other marganised people who are made to feel like outsiders and denied social justice.
Ever since I could speak, before I even learned to write properly, I remember clearly wanting to be a story-teller. I went to university thinking I would pursue literature, but I found I did not enjoy the course. Instead I followed my early love of social studies. I enrolled in sociology in my first semester of university in 1997. This was supposed to be an elective. Two decades later, here I am: a passionate sociologist.
I would eventually go on to write both my Honours and PhD theses on themes of multiculturalism, racism, and social inclusion. I studied how young migrant-Australian women managed their identities, gender inequality, and other issues such as sexuality and culture.
The 26th of January is Australia Day and a national holiday. Various events happen all over Melbourne, but some of these recognise that this day raises important issues about Indigenous culture in Australia. Protests over colonialism have been ongoing since Europeans settled in Australia in 1788. On the 26th of January 1938, 150 years after the decimation of Indigenous people began, William Cooper (leader with the Australian Aboriginal League) together with Jack Patten and William Ferguson (the Aboriginal Progressive Association) declared the first “Day of Mourning,” a day recognising the history of colonial violence and dispossession. Survival Day events represent the resilience and contribution of Aboriginal and Torres Strait Islander people, who collectively make up the world’s oldest, continuous culture.
I attended the Share the Spirit festival, hosted by Songlines Music. This event has been running at the Treasury Garden since 2002. Together with similar events in Sydney, Perth, Adelaide and elsewhere, they are amongst the biggest Indigenous cultural events in Australia. Continue reading Share the Spirit: Survival Day 2015