Here’s a typical example of how White people exercise and maintain racism. Kerri-Anne Kennerly flies into a rage about Saturday’s protests, led by Aboriginal people, seeking to change the date of Australia Day and establish systemic reform that includes a Voice to Parliament and Makarrata (treaty). Kennerly taps the table angrily, ‘Has anyone of them been out to the Outback where children, babies, 5 year olds are being raped. Their mothers are being raped. Their sisters are being raped. They get no education. What have you done? Zippo.’
Here, Kennerly evokes the same strawman argument that politicises rape and child abuse that has been used since colonisation to deny Aboriginal people rights. She could be referring to the Northern Territory Intervention, where the army went into remote regions to justify removals of Aboriginal children. The Intervention was NOT based on evidence – that’s already been proven. It has been catastrophic for communities. Continue reading Whiteness, Racism and Power
Visual sociology for December 2018! I bring you back some of the final sights from my secondent to the Central Coast. We delve into the political and health upheavals in South Africa from the past half-century. We then mosey over to the zoo, on a super hot day, and see that elephants know how to throw a good water party!
‘We are breastfeeding friendly’
I loved this sticker at a cafe in The Entrace, Central Coast of New South wales! 2 December 2018.
Roma is a beautiful film that covers issues of gender, race, class and violence in Mexico. Dedicated to, and based on, writer/ director Alfonso Cuarón’s childhood nanny and housekeeper “Libo” (Liboria Rodríguez), the film follows Cleo (the sublime Yalitza Aparicio), a young Mixtec woman employed by an affulent Mexican family. She has lived with them since the children’s birth, herself perhaps still in her 20s. She is beloved by the children, but is still treated like a servant.
Her woman employer, Sofia, also tells Cleo she loves her at a pivotal point in the film, even as we see how she flies into rage, diminishes Cleo and blames her for insignificant details. Sofia’s mother also lives in the household, mostly indifferent to Cleo, until tragedy strikes. At one stage, having been on her feet all day working, Cleo sits on the ground, holding the children’s hands, as the rest of the family sits comfortably on the couch watching TV. Sofia then directs Cleo to get her husband a drink after Cleo is settled.
These are women separated by race and class, but who are bound together by the men in their lives who neglect and mistreat them. The men are a wreck. Everyone, including Sofia, call the philandering husband ‘The Doctor,’ his status, vanity and whims disrupting everything around him. Continue reading Roma: Film Review
Disfruta – our visual sociology of October-November 2018.
Our backup career has been taken by The Unemployed Philosophers Guild. 1 October 2018.
We have all the time for…
The Bank, a local pub in Newtown, New South Wales, greets everyone with respect. Except racists, sexists, transphobes, direspectuful people and dickheads. Useful policy for our weary days. 2 October 2018. Continue reading We Have All the Time for Diversity
The Vivid Festival, which lights up the streets of Sydney over June, is a big feature for this month’s visual sociology for June-July 2018. We marvel at the wonder of an enchanted Cinderella-esque Sociology of Trolleys. We meet a cool watermelon and other creatures along the way. The highlight of the past two months is Dark Emu. Guess who had front row tickets to this vanguard work by Bangarra Dance Theatre?
Based on Bruce Pascoe’s wonderful and important research into Australia’s pre-history – the agrarian and aquaculture innovation by Aboriginal and Torres Strait Islander people prior to invasion is the focus of this beautiful dance performance.
“This work cultivates a physical and visceral response to Uncle Bruce Pascoe’s book and our deep Australian knowledge. Whether we embrace it or not, we are this country – we are of the land, the water, the stars & the dark in between. As Australians awaken from a kind of collective amnesia, these are stories, ideas and practices we should all be able to access, learn from and respect… I feel like Australia is ready…. Dark Emu is a sense that we are part of something greater.” – Yolande Brown, co-choreographer.
“We’re told every day that the world is falling apart around us, but maybe if we just gripped onto something that was there before all this, it would ground us a little. Dark Emu reminds us to take a breath and cling to our piece of land.” – Daniel Riley, co-choreographer.
You must experience this work. The choreography and music are stellar. The dancers carry large props to phenomenal effect – from large rocks, to wood that is rearranged into shelter for the women and later fences to entramp them. A dizzying sequence centres on blow flies representing the contempt of the colonisers for the traditional custodians and their land, which they tried to destroy.
Played in Sydney until 14 July then touring nationally.
Let me tell you about Thelma, screening at the Scandinavian Film Festival. A young woman, the titular Thelma, has led a sheltered and conservative Christian upbringing in the country. She rocks up to university having never really partied, including no alcohol or drugs, and without experience with dating. While she has a strong bond with her parents, especially her dad – with whom she shares all her deepest thoughts – she is very lonely in her new environment. That is until she meets the vivacious Anja.
As it turns out, Thelma starts to be attracted to Anja, who promptly breaks up with her boyfriend. It seems Anja begins to fall in love with Thelma too. Thelma struggles with self loathing and tries to deny her sexuality and at the same begins to have inexplicable seizures that baffle doctors. Around this time, I was thinking: if I have to watch another ‘internalised homophobia’ horror (oh, forgot to mention it’s promoted as a horror), I’m going to throw my popcorn at the screen. (Except not really as someone would have to clean it up.) But the film goes in an unexpected direction. Continue reading Thelma: Film Review
The Ranger is a hark back to 80s horror films. A group of young punks run into trouble during a concert and retreat to an abandoned holiday cabin, inexplicably located deep in an isolated area of a national park. Will they be okay? Highly unlikely. The film was very silly, with plenty of hammy humour and over the top gore. It was fun. 6/10.
It was preceded by a short, The Shopper, directed by Dev Patel and story by Aussie Leigh Whannell. Another slasher flick with dark humour about a seemingly bored housewife who has an emotionally abusive husband. But maybe not for long. Also 6/10.
I have a rule of faith when it comes to film festivals – I don’t watch trailers or read reviews. I read the program and decide to see movies based on the blurb. I make an effort to see movies written or directed by women first and foremost (documentaries or dramas especially), or about minority groups and women in general in the second instance. Third, I try my hardest to see horrors because they’re rarely released in Australian cinemas. ‘What Keeps You Alive’ hits two of three: a movie about two (White) women and a horror flick. Directed by Colin Minihan (of Grave Encounters, which I disliked) was not what I expected. What I knew about the plot: Jules and Jackie are celebrating their one year anniversary in an isolated cabin in the woods. It is a horror. That’s it! The leap of faith paid off. It was so strong! Great characters. Lots of bad decisions but cleverness too. I won’t say more. Slick 7/10.