Visual sociology for December 2018! I bring you back some of the final sights from my secondent to the Central Coast. We delve into the political and health upheavals in South Africa from the past half-century. We then mosey over to the zoo, on a super hot day, and see that elephants know how to throw a good water party!
‘We are breastfeeding friendly’
I loved this sticker at a cafe in The Entrace, Central Coast of New South wales! 2 December 2018.
Continue reading Visual Sociology for December 2018
Disfruta – our visual sociology of October-November 2018.
Our backup career has been taken by The Unemployed Philosophers Guild. 1 October 2018.
We have all the time for…
The Bank, a local pub in Newtown, New South Wales, greets everyone with respect. Except racists, sexists, transphobes, direspectuful people and dickheads. Useful policy for our weary days. 2 October 2018. Continue reading We Have All the Time for Diversity
With handmade goodies, llamas in Newtown, a Mexican mural, and weird commemorative plates, this visual sociology for September 2018 is a doozey! Let’s start with the highlight John Mawarndjul’s work.
Highlight: John Mawurndjul, Lorrkkon 1985-2008
John Mawurndjul, Lorrkkon (1985-2008). These are ceremonial logs that have been hollowed out and painted to honour the dead. 22 September
Continue reading Art and About
‘Maniac Universe,’ Sun Xun (2018), made with mineral pigment on bark paper with UV-A lights. The artist, born and lives in China, drew inspiration from Australia’s Southern Lights (Aurora Australia). ‘With the extreme natural spectacle of Aurora, you have a feeling of something impossible to capture or to comprehend in its entirety, much like the animal kingdom in Australia.’
Sun Xun, exhibition drawing on mixed media to depict a parallel reality of propaganda figures, mythical creatures, cities, ancient townships and our relationship to time.
Our visual sociology for August 2018 gives us the gift of union-inspired art, 130 years of contemporary works and a blue zebra.
State of the Union
Exhibition at the Ian Potter Museum of Art, about student and workers’ industrial action (mostly at Melbourne University and local industrial rights movements). Very interesting look at social protest and solidarity across groups. Banner art has been a staple element of the union movement, but eventually waned. The artform rose once more in the 1980s. One of the quotes is by Melbourne Union alumni, Christos Tsiolkas, who was the first in his Greek migrant family to graduate from university. His uncle pointed out that his working class labour made the university buildings possible. He warned his soon-to-be successful nephew, ‘Don’t ever forget where you come from.’ 9 August
Continue reading Don’t Ever Forget Where You Come From
The Vivid Festival, which lights up the streets of Sydney over June, is a big feature for this month’s visual sociology for June-July 2018. We marvel at the wonder of an enchanted Cinderella-esque Sociology of Trolleys. We meet a cool watermelon and other creatures along the way.
The Vivid Festival was as bright and enchanting as we’ve come to expect!
Continue reading Vivid Festival 2018 and Other Delights
Guess who had front row tickets to Dark Emu by Bangarra Dance Theatre?
Based on Bruce Pascoe’s wonderful and important research into Australia’s pre-history – the agrarian and aquaculture innovation by Aboriginal and Torres Strait Islander people people prior to invasion.
“This work cultivates a physical and visceral response to Uncle Bruce Pascoe’s book and our deep Australian knowledge. Whether we embrace it or not, we are this country – we are of the land, the water, the stars & the dark in between. As Australians awaken from a kind of collective amnesia, these are stories, ideas and practices we should all be able to access, learn from and respect… I feel like Australia is ready…. Dark Emu is a sense that we are part of something greater.” – Yolande Brown, co-choreographer.
“We’re told every day that the world is falling apart around us, but maybe if we just gripped onto something that was there before all this, it would ground us a little. Dark Emu reminds us to take a breath and cling to our piece of land.” – Daniel Riley, co-choreographer.
You must experience this work. The choreography and music are stellar. The dancers carry large props to phenomenal effect – from large rocks, to wood that is rearranged into shelter for the women and later fences to entramp them. A dizzying sequence centres on blow flies representing the contempt of the colonisers for the traditional custodians and their land, which they tried to destroy.
On in Sydney now to 14 July then touring nationally.
This is up in the Inner West of Sydney. In a suburb where 75% of us are born outside of Australia and 82% speak at least one language other than English at home.
A handmade market, existential sociology of trolleys, new superheros for the ages – Blackie Blackie Brown and El Jalapeño – plus lots more for the visual sociology of May 2018!
Gorgeous afternoon at the Finders Keepers market! Bought lots of handmade goodies from these women makers. 5 May
Continue reading The Heros We Deserve
The Sydney Writers Festival had wonderful speakers for the panel, “My Feminism Will Be Intersectional Or It Will Be Bullshit”. This panel doubled as a podcast recording for Pretty For an Aboriginal, facilitated by host Nakkiah Lui (her podcast co-host Miranda Tapsell was in Darwin starring in a new film!). Guests were novellist Zinzi Clemmons, author Aminatou Sow, poet Cleo Wade and editor and author Glory Edim.
Below is a highlights summary of the discussion, and the subsequent input from sociologist and author Flavia Dzodan, whose work, as it turns out, was stolen for the title and impetus of the panel. Continue reading Sydney Writers Festival: “My Feminism Will Be Intersectional Or It Will Be Bullshit”