Gender, Race and Ableism in ‘Joker’

Arthur is in full Joker make-up. His face is painted white with crass red lips overdrawn over half his face. He has large red eyebrows painted high on his forehead. His eyes are framed by two blue triangles. He smiles and raises his eyebrown as he exhales

Let’s talk about representations of gender, race and ableism in Joker and how to situate a critical reading in the local Australian context. I saw the film last night in Newtown, Sydney, where the mostly White audience erupted in rapturous clapping. We’ll explore this reaction.

Spoilers ahead. (N.B.: Read this as a gif-free version in PDF)

Arthur is shirtless, with his back to the audience. He is watching Thomas Wayne, a White man in a suit, speaking on television‘Joker’ presents a racialised and gendered view of class. Thomas Wayne (Gotham’s White male, super rich aspiring Mayor, played by Brett Cullen) is the antagonist. Wayne refers to protesters with contempt (jokers) and he punches Arthur (before his reincarnation as The Joker, played by Joaquin Phoenix) while he’s emotionally vulnerable. Whiteness prevails in this exchange, because the conflict between the two men is not really about class, as the film attempts to position. Their tension is about masculine power.

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Thelma

Young white woman wearing glasses hides behind a bucket of popcorn

Let me tell you about Thelma, screening at the Scandinavian Film Festival. A young woman, the titular Thelma, has led a sheltered and conservative Christian upbringing in the country. She rocks up to university having never really partied, including no alcohol or drugs, and without experience with dating. While she has a strong bond with her parents, especially her dad – with whom she shares all her deepest thoughts – she is very lonely in her new environment. That is until she meets the vivacious Anja.

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Dark Emu by Bangarra Dance Theatre

Two dancers reach up while jumping and twisting their arms

Guess who had front row tickets to Dark Emu by Bangarra Dance Theatre?

Based on Bruce Pascoe’s wonderful and important research into Australia’s pre-history – the agrarian and aquaculture innovation by Aboriginal and Torres Strait Islander people people prior to invasion.

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What Keeps You Alive

Two metal cups resting on a log, with a tent in the background

I have a rule of faith when it comes to film festivals – I don’t watch trailers or read reviews. I read the program and decide to see movies based on the blurb. I make an effort to see movies written or directed by women first and foremost (documentaries or dramas especially), or about minority groups and women in general in the second instance. Third, I try my hardest to see horrors because they’re rarely released in Australian cinemas.

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Woodpeckers

A woodpecker on a tree hangs from a perfect hole. It has a red head, white breast, and black and white body

Another Cine Latino film: Woodpeckers (Carpinteros). Unsettling but excellent Dominican film entirely focused on Afro-Latino characters. Julián (Jean Jean) is awaiting sentencing when he’s put into one of the “less hellish” prisons in Najayo. That is to say, an overcrowded, filthy and violent place where many prisoners sleep on the concrete floor. Julián is second generation Haitian-Dominican. In a terse exchange with his brother, we learn he is an entrepreneurial “low level” criminal who doesn’t want to be locked into a low-paid menial job.

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You’re Killing Me Susana

A man's fingers holds a block with a person icon. The blocks are arranged around a wooden love heart

At CineLatino, the Latin American film festival, I watched, You’re Killing Me Susana, starring Gael Garcia Bernal. As always, his performance is charming and the movie has an abundance of affable comedy. But his character and the story is not endearing. He is an unfaithful and selfish husband who does not take any interest in his wife and her writing. He is disparaging of her teaching, which supplements her writing aspirations. He has repeatedly talked his wife out of going away on writing trips because he is suspicious and jealous.

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