An evolutionary psychology study that gained much media attention in May 2017 claims to show women’s sexual attraction to other women is the outcome of evolution, specifically for the pleasure of heterosexual men. The study was reported widely as ‘homosexual women evolved for men’s pleasure.’ Journalists have not read the study nor linked to it. The study is published in the journal Personality and Individual Differences. The study is led by Associate Professor Menelaos Apostolou. The team is based at the University of Nicosia, with apparently only one woman co-author.
Here, I show why the study is flawed and why the conclusions are premised on dangerous heterosexism. Heterosexism is the prejudiced belief that heterosexuality is ‘natural’ and ‘normal,’ and that heterosexuality uniformly structures all aspects of social life. Heterosexism also presumes that gender is a binary (there are only two groups, men or women), and excludes the lived experiences of transgender people. Heterosexism brings to light the social construction of sexuality, and in this case, the values and social dynamics that impact on what is taken-for-granted about heterosexuality.
I focus my discussion on cisgender heterosexual and homosexual people as the authors of the study have presumed men and women can either be homosexual or heterosexual, to the exclusion of other gender and sexual identities. They have done this without explicitly saying so (it is a facet of heterosexism to reinforce binaries, because variations of sexuality disrupt the idea that heterosexuality is natural and normal). Experiences for transgender lesbians would vary, however, the authors presume a gender binary in thinking about lesbian desire.
With these cautions in mind, let’s dive into the study.
Continue reading Heterosexism in a Scientific Study of Lesbian Attraction
How do White women perpetuate gender and racial inequality in film? A new adaption of the 1966 novel and 1971 film, “The Beguiled,” is hitting the silver screen. The original story opens with a limping, dirtied White man, John (also nicknamed “Mr B”), played with relish by Clint Eastwood. The audience knows the violence and lies he’s capable of, as we see flashbacks that contradict his charm. He is an Unionist soldier injured in battle towards the end of the American Civil War. He staggers his way to a secluded boarding school for girls and young women, where he is nursed back to health by the older women, a mixed group of begrudging and bemused ladies who are stifled by their secret desires. The 2017 version has already built up high praise, with director Sofia Coppola being awarded Best Director at the Cannes Film Festival. This is the first time the prestigious award has been given to a woman. Coppola explains why she chose to erase the character of Hallie, a slave woman who features prominently in the original. I emphasise Whiteness in her language below. Whiteness is a concept describing how White people don’t acknowledge how their race is central to their worldviews and contributes to racial oppression:
“I really thought it was interesting because it was a group of women all living together, all different ages with different stages of maturity, and how they interact. It’s a group of women kind of isolated in the world… I’m definitely attracted to stories about female characters, and characters that I can relate to. I’m interested in stories of groups of women together… At the heart of the story, it’s really about the power dynamics between men and women that are universal, but that are sort of heightened in this kind of premise.”
Copolla makes two points in this interview:
- She loves women’s stories (read: White women’s stories).
- By saying she chooses stories that she relates to, and having omitted the only Black woman from her script, she is saying she only relates to White women.