Conscious Dating Co explores what it means to date consciously in a series of panels and workshops.
What influences attraction? Is racial bias affecting your dating life? How do you deal with being fetishised? And can we all expand our dating pool by mindfully inspecting our own racial biases?
Conscious Dating Co-founder Kaila Perusco will host a panel discussion with award-winning journalist, documentary filmmaker and host of SBS’s Date My Race, Santilla Chingaipe; writer and equal rights advocate Andy Quan; and applied sociologist Dr Zuleyka Zevallos.
Join us for a fascinating insight into modern dating!
Sociology and anthropology have long used the experiences of “third sex” cultures, such as the Native American Two Spirit people, to teach students about the social construction of sex and gender. In many cultures around the world, people are allowed to live their lives beyond conventional binaries; they need not adhere to the biological sex they were born into. These people are usually revered and there are special circumstances where individuals are allowed to shift their gender position. These groups, including the Two Spirit people, are used as examples in the sociology of Lesbian, Gay, Bisexual, Transgender, Queer and Intersexual (LGBTQI) issues. Recent scholarship, however, has questioned this practice, demonstrating that social scientists are applying Western concepts to misappropriate the Two Spirit phenomena.
My post gives a broad overview of the social science concepts of gender and sexuality. I then discuss the spirituality, gender and sexuality of Two Spirit people as well as the history and culture that informs their social position. Let me put my analysis in context: I am not Native American nor am I a transgender person. I identify as a *cis-woman of colour (*that is, my biological and gender identity align). As a sociologist who has researched, published on and taught gender and sexuality courses, I seek to explore how Western social scientists, queer theorists and other social activists have misappropriated the Two Spirit experience to highlight social causes.
I propose that social science needs to move forward from our dominant understandings of the Two Spirit experience. My aim is to start a conversation about how we might expand sociological understandings of gender and sexuality using this case study. How do we best communicate the social construction of gender and sexuality to students and to the public? I argue academics and activists need to be mindful that, even with the best of intentions, misappropriation of cultural traditions of minority groups is dangerous. This perpetuates historical practices that have silenced Indigenous experiences. There are better ways to appreciate and form solidarity with Other cultures. This begins by listening to the way minorities speak about their own experiences, rather than projecting our seemingly-progressive perspective onto Others.
I begin by giving a background on what inspired this post as an example of public sociology. Public sociology describes how we produce sociology for mass audiences outside academia. My focus here is on how we use sociology in the classroom and in social media. It is vital to the longevity of our discipline that sociologists explain our key concepts to general audiences. At the same time, I see it important that we publicly own up to, and invite a public discussion about, the changing dynamics of power which influence social theories. We also need to take responsibility for the way we teach and publicly discuss social science ideas. This means being more critical about the ways in which social science ideas are produced and disseminated, especially via social media. Continue reading Rethinking Gender and Sexuality: Case Study of the Native American “Two Spirit” People
This story is engrossing: Maud Allan was a Canada-born dancer who found fame in Germany in the early 1900s. She performed in the Oscar Wilde play, Vision of Salome, famous for “the dance of the seven veils.” When Allan was in her 20s, her brother was executed for killing two girls. She changed her name to escape this notoriety but later found herself the subject of infamy, drawn into a litigation case defending her name against charges of “sexual perversion.” Allan’s artistic sensuality and the fact that she was a lesbian were weaved into a conspiracy plot involving the highest office of British parliament. The Daily Mail recently reported on Allan’s life as a new play is being produced in San Francisco which is based on this salacious court case.
Allan’s story makes an excellent historical case study of the criminalisation of femininity and homosexuality in Britain at the end of World War I. I discuss the contradictory meanings of Allan’s dancing and her embodiment of the character Salome, a figure that has come to represent the dangerous qualities of female heterosexuality. The cultural significance of Allan’s dancing and her court case takes on multiple meanings in light of Allan’s reality as a lesbian woman in the 1920s.
Today I spent a great deal of time playing around with the Vatican’s virtual tour of the Sistine Chapel. For an art and sociology of religion nerd such as me, the 360 degree view of the Chapel was loads of fun. Nevertheless, this got me thinking about the history of Christian art and, in particular, Michelangelo’s contribution to Western ‘high art’ culture. I am interested in how Western European art of the Renaissance period set up women as The Other of men, and how this gender binary continues to influence dominant discourses of divinity within mainstream Christianity.
Elizabeth Dodson Gray offers a feminist critique of the history of patriarchal depictions of divinity. She argues this form of patriarchy is best exemplified by the system of meaning behind Michelangelo’s design of the Sistine Chapel. Dodson Gray’s central point about ‘the process of naming the sacred’ helps to unpack the narrative behind the Sistine Chapel’s most famous work. Dodson Gray argues that throughout most of modern history, men had greater power in constructing discourses of The Sacred. As a consequence, symbols of God were constructed as synonymous with being Male. Until women began offering feminist critiques of religious signs and texts, religious imagination largely ignored women’s knowledge. Continue reading Unpacking the Gendered Symbolism of the Sistine Chapel
Public harassment of women in India is known as ‘Eve teasing’. I’m using this as a case study to highlight the ‘Western’ media’s divergent constructions of sexual harassment at home and abroad.
In Australia and in Western countries such as the USA, the mainstream media tend to portray sexual violence and gender oppression as a barbaric practice that are culturally entrenched in developing countries. Gender violence is the stuff of others – it is something that members of ‘less civilised’, less enlightened societies do. In comparison, the Western media depict sexual harassment and rape in their own societies as fear-mongering events involving individuals, rather thananindictment of an entire culture. (See my discussion of the sociology of crime reporting in an earlier post.)
Today’s post begins with a case study of Eve teasing in India before moving on to discuss sexual violence on a global scale, including the ‘Slutwalk’ movement. I provide more detail on the USA and Australia to illustrate that gender violence against women is widespread in advanced, liberal democracies, as it is in other parts of the world. As today’s discussion is focused on women, I talk only briefly about sexual violence against men but I will return to this issue in the near future. Here, I will argue that the situation in India is one public expression of broader global patterns of sexual assault.
Several recent articles recreate the ever-popular idea that beauty aesthetics are based on biological imperatives. The premise of this argument is false – beauty, sex, gender and the social consequences of their related biological processes are not pre-determined. This line of thinking lumps the complexity of human experience and sexual expression into a uniform category and it provides the false impression that nothing can be done to change human behaviour. Sociology can help unpackage how and why so-called “common sense” ideas about beauty become established as commonplace knowledge. Contrary to what mainstream culture may have us believe, beauty ideals can be challenged and transformed. Beauty-based discrimination is not natural nor is it unavoidable.
Catherine Hakim’s latest book, “Honey Money: The Power of Erotic Capital” argues that women should use their sex appeal to get ahead in life. The book continues to generate press in the UK, USA and in my homeland of Oz, in The Australian and The Sydney Morning Herald. The latter alludes to the fact that Hakim’s work distorts French sociologist Pierre Bourdieu’s notion of cultural capital. The reality is that Hakim misappropriates the sociological ideas that would otherwise make the concept of erotic capital a useful way of thinking about sexuality. My review of Hakim’s work as well as another study on beauty will show that this type of research simply replicates taken-for-granted ideas about sex and gender. Sociology is useful only when it takes apart everyday ideas to help people better understand the social consequences of behaviour; in this case, sexuality, desire and what is considered ‘attractive’.
Bourdieu argued that economic and life outcomes depend upon intangible social processes, such as cultural knowledge (for example, the type of school someone attends) and social networks (the people we know who might help us to get ahead in life). Sexual capital and erotic capital are concepts that have been used to study the social, symbolic, economic and physical resources that affect the way in which sexual desire is constructed in different societies, and the social hierarchies that affect the sexual power and sexual enjoyment of different groups. This is not the way Hakim applies this concept.