In February 2017, conservative Australian media began a sustained attack of a young feminist leader, Yassmin Abdel-Magied. That started a racist petition calling for her to be fired from ABC TV, Australia’s public broadcaster, simply for having participated in a TV panel show, Q&A, where she spoke articulately about her feminism as a Muslim-Australian woman (see the clip below). For weeks, the ABC refused to give into these racist demands.
At the same time, three One Nation candidates were running in the Western Australian election making openly racist, homophobic and sexist comments. These candidates had no political expertise, but somehow their bigotry is not offensive enough to warrant endless national debate. Yet the feminism of an educated and successful young feminist draws ire.
In late April, Abdel-Magied was subjected to further public condemnation over a brief social media post expressing her condemnation of war. One month later, a White male editor incited violence towards her employer, the ABC, and Abdel-Magied was caught in media turmoil once again. This is a case study on the deep-seated elements of Islamophobia (fear of Islam) in Australia, and its real life consequences on young women of religious and ethnic minority backgrounds.
Australia is undergoing yet another paternalistic and xenophobic discussion about Muslim women’s dress. This time, politicians have been arguing that the burqa (face covering with eyes hidden by mesh) should be banned. The “ban the burqa” furore started with right-wing politicians arguing that Australian-Muslim women are “oppressed” by their choice of religious dress, with little understanding that the number of women who choose to wear a burqa is minuscule in Australia. Even those who wear the niqab (face covering with eyes showing) are also minute (less than 200 at a broad estimate). When this so-called “feminist” agenda didn’t work, the argument was made under false security concerns. The niqab was banned from public galleries at the Australian parliament for one day until the public critique forced the Government to distance itself from this decision. Let’s take a deeper look at the politics of sexism and racism. Continue reading Racist Rhetoric of ‘Ban the Burqa’
Aamer Rahman is a brilliant comedian. This video humorously captures why “reverse racism” makes no sense.
Every culture holds positive and negative stereotypes of their own group as well as other groups. A stereotype is a mental attitude or belief. This is not racism. Racism is a concept that describes institutional processes that are linked to historical social relations. A racist statement by a member of a privileged or majority group carries power and the threat of violence because institutional processes ensure minorities are marginalised. Racism is locked to a system of discrimination at school, work, in the media, in politics and through other social institutions. The false concept of reverse racism ignores these institutional experiences of oppression. Continue reading No Such Thing as ‘Reverse Racism’
The Atlantic has followed Rev. Tuck Taylor, a mother of two and an ordained elder of the United Methodist Church in North Carolina, USA. She is one of “thousands” of citizens who have coordinated a series of civil disobedience protests against various social welfare issues. They call their protest “Moral Monday,” a designated day where citizens descend upon official public buildings to protest using music, speeches and prayer. Ordinary citizens, academics and clerics volunteer to lead the protests and nominate themselves to be arrested in order to protest diverse concerns such as cuts to unemployment and health assistance, taxes and repeal of environmental measures.
While the Reverend may lose her job with her Church, she sees that it is her civil and religious duty to voice her discontent with her local government. The Reverend says:
“There are no unclean people — only unclean systems.”
During a recent concert, Madonna lent her support to the re-election of USA President Obama and praised his support for gay rights. All highly commendable. The problem is that she reproduces the myth that Obama is a “Black Muslim.” Madonna’s heart seems in the right place; she is encouraging voting and, on the surface, “tolerance.” Unfortunately, her lack of awareness about the politics of race in America has led Madonna to inadvertently buy into the “birther” movement. Birther conspiracy theorists argue that Obama is hiding his true birthplace from the American public. Obama’s “foreign sounding” name (read: non-Anglo sounding) and the fact that his father was born in Nigeria helped fuel the the idea that Obama was born overseas and that he is Muslim. Birthers demanded the President show his birth certificate, despite the fact that he was born in the American state of Hawaii. By claiming him to be a foreigner and a Muslim, birthers hoped to remove Obama from office. By inadvertently perpetuating an element of this discourse, Madonna displays an alarming disconnect with American politics. My argument is about the deep seated power of racism – which creeps into every day consciousness as taken-for-granted “facts.”
In the photograph below, street artist Shamsia Hassan is featured in front of one her graffiti creations in an industrial park in Kabul, Afghanistan. Hassan was featured today in The Guardian, where she argues that many people in Afghanistan have not been exposed to (non-religious) art, but she sees that graffiti is a way to change that. She says: “If we can do graffiti all over the city, there will be nobody who doesn’t know about art”. To many people in “Western” countries, Shassan’s comments might seem to be consistent with the dominant view that Afghan people exist in a “backward” social vacuum. From the outside, Afghans are perceived to live in a society untouched by modernity and completely ravaged by war. This view fails to recognise the history of Afghanistan, as well as the cultural and educational diversity amongst urban and rural groups from different tribes in different regions. Moreover, I see that Hassan’s comments about street art go to the heart of much of Bourdieu’s work on taste and distinction.
This is the third and final post in a series covering the lead up to the 10th anniversary of the September 11 attacks. This one focuses on news coverage; technology and social media issues; and media discourses about the so-called ‘Decade 9/11’ and ‘Gen 9/11’.
This is the second post in a three-part series reviewing the media and research released in commemoration of the 10-year September 11 Anniversary. Without doubt, the ongoing trauma and health issues faced by the survivors of the September 11 attacks have high ongoing social costs for American society. This article focuses on the impact that the September 11 attacks had on the lives of Australian-Muslims. I was inspired by a SBS Radio vox pop with Muslim and Sikh Australians, which I will go on to analyse.[i] The people interviewed talked about how they managed the increased racism and stigma they have faced since 2001. Ten years after the attacks, studies show that a high proportion of Australians perceive Muslims as ‘outsiders’ who do not fit in with Australian society.[ii] My analysis shows that living with racism requires a lot of ‘emotion work’, particularly because Muslims mostly deal with racist encounters on a one-on-one basis.