Police brutality in Glen Innes, New South Wales, against a group of young Indigenous girls. You can hear one of the girls say she’ll comply with police but she wants to call her parents as they’re under 16. The policeman says no. It seems his partner, a woman’s voice off camera, tells the girls to comply: ‘Don’t make it worse for yourselves.’ Policeman says: ‘It already is worse for yourselves.’ Continue reading Police Brutality of Young Aboriginal Girls
Racist policies are making remote Aboriginal communities sick. At least three communities in central Australia have levels of uranium in drinking water that exceed health guidelines, with dozens more not meeting good quality.
“It’s an international scandal that this is allowed to happen in a country like Australia — a rich country like Australia… If that was happening in Victoria, you’d have a hell of a row… Because they’re bush people and not a concern to politicians, they don’t worry about it.”
The Ranger is a hark back to 80s horror films. A group of young punks run into trouble during a concert and retreat to an abandoned holiday cabin, inexplicably located deep in an isolated area of a national park. Will they be okay? Highly unlikely. The film was very silly, with plenty of hammy humour and over the top gore. It was fun. 6/10.
It was preceded by a short, The Shopper, directed by Dev Patel and story by Aussie Leigh Whannell. Another slasher flick with dark humour about a seemingly bored housewife who has an emotionally abusive husband. But maybe not for long. Also 6/10.
This is up in the Inner West of Sydney. In a suburb where 75% of us are born outside of Australia and 82% speak at least one language other than English at home.
I have a rule of faith when it comes to film festivals – I don’t watch trailers or read reviews. I read the program and decide to see movies based on the blurb. I make an effort to see movies written or directed by women first and foremost (documentaries or dramas especially), or about minority groups and women in general in the second instance. Third, I try my hardest to see horrors because they’re rarely released in Australian cinemas. ‘What Keeps You Alive’ hits two of three: a movie about two (White) women and a horror flick. Directed by Colin Minihan (of Grave Encounters, which I disliked) was not what I expected. What I knew about the plot: Jules and Jackie are celebrating their one year anniversary in an isolated cabin in the woods. It is a horror. That’s it! The leap of faith paid off. It was so strong! Great characters. Lots of bad decisions but cleverness too. I won’t say more. Slick 7/10.
(Postscript: Now on Netflix)
TW VAW: ‘A Vigilante’ at the Sydney Film Festival is an affecting film about a woman who has survived intimate partner violence and now rescues women and children from violence. Written and directed by an Australian woman, Sarah Daggar-Nickson, it is a bleak but visually arresting story. Sadie (excellent Olivia Munn) lives a solitary existence and accepts little payment for her services. Most of the violence occurs offscreen or it is retold by survivors – the latter is devastating. The group counseling scenes where women share their stories of leaving violence are painful to watch, but told with great love, respect and care. These are common tales but society turns away from this reality. It was heartening that financial abuse was part of the story, as this is one of the many complex reasons women cannot simply leave. The scenes of violence showing Sadie’s husband are harrowing and triggering because the dialogue and cruelty are vivid. As a story of empowerment, it is difficult to reconcile: most women cannot turn to violence to escape violence. In a superhero origin story perhaps the narrative might be seen as an origin story. But the film is not that. It is presented as a hyper real revenge tale. As a feminist statement, however, this ultimately feeds into the cultural expectation that women need to save themselves or be saved, when the fact is that violence against women and children is a structural issue requiring massive social changes. Regardless, the story treats survivors with compassion. I’m ambivalent about its aim and resolution. I’m glad I saw this and you should also watch it. Then read up on the tireless work of survivors, case workers, shelters, and advocates for whom violence and its aftermath is a daily reality. 7/10
A handmade market, existential sociology of trolleys, new superheros for the ages – Blackie Blackie Brown and El Jalapeño – plus lots more for the visual sociology of May 2018!
The Sydney Writers Festival had wonderful speakers for the panel, “My Feminism Will Be Intersectional Or It Will Be Bullshit”. This panel doubled as a podcast recording for Pretty For an Aboriginal, facilitated by host Nakkiah Lui (her podcast co-host Miranda Tapsell was in Darwin starring in a new film!). Guests were novellist Zinzi Clemmons, author Aminatou Sow, poet Cleo Wade and editor and author Glory Edim.
Below is a highlights summary of the discussion, and the subsequent input from sociologist and author Flavia Dzodan, whose work, as it turns out, was stolen for the title and impetus of the panel. Continue reading Sydney Writers Festival: “My Feminism Will Be Intersectional Or It Will Be Bullshit”
Today’s Weekends With a Sociologist lunges us into the heart of Australian suburbia. There’s revelry in Australiania, a notion that I’ve never been especially comforable with, but we’re plunging in all the same! You’ll see there is much to cringe about, and more delights in store, in Jon Campbell’s Word. The Irish-Australian migrant artist lives in Coburg, an inner Northern suburb of Melbourne. The exhibition is based on his artworks that use numerous light boxes to emphasise the language of the working class in the inner Northern and Western suburbs of Melbourne, the typical signage seen along country roads, and Anglo-Aussie surf culture. Banners host Aussie venacular, pub menu items, live music posters, and peculiar messages familiar to locals.
This exhibition includes Stacks On (2010) and the 65 metre mural commissioned by the Museum of Contemporary Art.
I attended Dialogue of the Titans with Prof Megan Davis and former High Court Justice Michael Kirby. Hosted by the University of New South Wales Pro Vice Chancellor Indigenous. “A dialogue between two extraordinary human rights defenders on holding a United Nations Human Rights Mandate.” An excellent event looking at the work of the United Nations as well as the practicalities (terrible travel conditions for all volunteers, which especially restrict members from developing nations).
There was also discussion of why Australia does not have a bill of rights (terrible). Plus why it’s a problem that Australia rejected the Uluru Statement, the outcome of consultation led by, and with, Aboriginal and Torres Strait Islander people around Australia, which recommended a voice to parliament. Most nations with Indigenous populations have a version of this mechanism that ensures Indigenous people can comment on laws before they’re passed.
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