Indigenous Sociology for Social Impact

The history of Aboriginal and Torres Strait Islander social justice activism to destabilise and overcome colonial practices in Australia began with the British invasion in 1788 and has continued to the present-day. These acts of social and political organisation have strong sociological resonance that should centrally inform sociological inquiry in Australia. Yet Indigenous knowledges are peripheral to the discipline of sociology. This post is the first in a series exploring ways to decolonise sociology, through the leadership of Associate Professor Kathleen Butler, sociologist and Aboriginal woman belonging to the Bundjalung and Worimi peoples of coastal New South Wales.

To redress the problematic racial dynamics of sociological theory and practice, Associate Professor Butler convened the first Indigenous Sociology for Social Impact Workshop at the University of Newcastle, Ourimbah campus, on Darkinjung land. Held on 27-28 October 2016, Professor Butler invited Indigenous and non-Indigenous sociologists from different parts of Australia to consider gaps and opportunities in addressing the ongoing impact of colonialism in our theories, methods and practice.

Today’s post places the workshop in historic context and summarises the discussion. I also include reflections by Associate Professor Butler about the outcomes from the workshop. I end with a set of questions that emerged from the workshop that we should now face as a discipline in order to centre Indigenous knowledges and methods in sociology.

https://twitter.com/OtherSociology/status/791441601570627585

Continue reading Indigenous Sociology for Social Impact

Woodpeckers

A woodpecker on a tree hangs from a perfect hole. It has a red head, white breast, and black and white body

Another Cine Latino film: Woodpeckers (Carpinteros). Unsettling but excellent Dominican film entirely focused on Afro-Latino characters. Julián (Jean Jean) is awaiting sentencing when he’s put into one of the “less hellish” prisons in Najayo. That is to say, an overcrowded, filthy and violent place where many prisoners sleep on the concrete floor. Julián is second generation Haitian-Dominican. In a terse exchange with his brother, we learn he is an entrepreneurial “low level” criminal who doesn’t want to be locked into a low-paid menial job.

Continue reading Woodpeckers

You’re Killing Me Susana

A man's fingers holds a block with a person icon. The blocks are arranged around a wooden love heart

At CineLatino, the Latin American film festival, I watched, You’re Killing Me Susana, starring Gael Garcia Bernal. As always, his performance is charming and the movie has an abundance of affable comedy. But his character and the story is not endearing. He is an unfaithful and selfish husband who does not take any interest in his wife and her writing. He is disparaging of her teaching, which supplements her writing aspirations. He has repeatedly talked his wife out of going away on writing trips because he is suspicious and jealous.

Continue reading You’re Killing Me Susana

Colonial Sugar

“Colonial Sugar,” Tracey Moffatt and Jasmine Togo-Brisby, exhibition at the City Gallery Wellington. From 1863 to 1904, the Queensland government in Australia enslaved at least 62,000 people from the Pacific to fuel production in its prosperous sugarcane plantations. Continue reading Colonial Sugar