Reducing reoffending is a state priority in New South Wales. New sentencing reforms will increase referrals to behaviour change programs or other support services for people who are at high-risk of reoffending. Yet non-mandatory programs can often have low participation rates, particularly when programs are new.
We set out to better understand the social context affecting voluntary participation in programs for people at-risk of reoffending. Here’s how we used behavioural science to promote better service delivery for this vulnerable cohort.
Continue reading How to Increase Voluntary Participation in Programs Using Behavioural Insights
Flood-related fatalities have been an ongoing problem in Australia since the early 1900s. Deaths during floods rank second only to heat waves in natural disaster fatalities. Approximately 159 people died from flooding in Australia during the last 15 years, with half (53%) due to driving through floodwater. NSW, together with QLD, represent 74% of flood fatalities. Rural and regional areas in NSW are especially at-risk.
Driving through flood water is a pressing issue, and has been a persistent problem behaviour that has been tough to shift.
The following reflects how the Behavioural Insights Unit (BIU) worked through this behavioural issue, and brainstormed problems, during a recent masterclass with NSW State Emergency Service (NSW SES). Continue reading Applying Behavioural Insights to Emergency Decision-Making
I was live tweeting throughout the Behavioural Exchange conference, which was held in Sydney. It brings together policy-makers, practitioners and academics working in behavioural insights – the use of behavioural and social sciences to improve decision-making using evidence-based enhancements to services, programs and policies.
Keynote by Cass Sunstein
Issues with behavioural science ‘nudges‘ (social enticements or environmental cues to optimise desired choices, especially with respect to social policy). To force people to choose when they don’t want to make a decision impacts their dignity. This isn’t the intention of nudging.
Continue reading New Frontiers in Behavioural Insights
Police brutality in Glen Innes, New South Wales, against a group of young Indigenous girls. You can hear one of the girls say she’ll comply with police but she wants to call her parents as they’re under 16. The policeman says no. It seems his partner, a woman’s voice off camera, tells the girls to comply: ‘Don’t make it worse for yourselves.’ Policeman says: ‘It already is worse for yourselves.’ Continue reading Police Brutality of Young Aboriginal Girls
Racist policies are making remote Aboriginal communities sick. At least three communities in central Australia have levels of uranium in drinking water that exceed health guidelines, with dozens more not meeting good quality.
“It’s an international scandal that this is allowed to happen in a country like Australia — a rich country like Australia… If that was happening in Victoria, you’d have a hell of a row… Because they’re bush people and not a concern to politicians, they don’t worry about it.”
Continue reading Aboriginal Families Seek Action Over Uranium in Drinking Water
Diversity encompasses issues of equity, inclusion, accessibility and intersectionality (the interconnection between gender and racial inequality alongisde other social disadvantages). I’ve created a resource to ensure academic and science events support diversity. Below is a brief version.
Continue reading Resource: Equity and Diversity for Events
The Ranger is a hark back to 80s horror films. A group of young punks run into trouble during a concert and retreat to an abandoned holiday cabin, inexplicably located deep in an isolated area of a national park. Will they be okay? Highly unlikely. The film was very silly, with plenty of hammy humour and over the top gore. It was fun. 6/10.
It was preceded by a short, The Shopper, directed by Dev Patel and story by Aussie Leigh Whannell. Another slasher flick with dark humour about a seemingly bored housewife who has an emotionally abusive husband. But maybe not for long. Also 6/10.
This is up in the Inner West of Sydney. In a suburb where 75% of us are born outside of Australia and 82% speak at least one language other than English at home.
I have a rule of faith when it comes to film festivals – I don’t watch trailers or read reviews. I read the program and decide to see movies based on the blurb. I make an effort to see movies written or directed by women first and foremost (documentaries or dramas especially), or about minority groups and women in general in the second instance. Third, I try my hardest to see horrors because they’re rarely released in Australian cinemas. ‘What Keeps You Alive’ hits two of three: a movie about two (White) women and a horror flick. Directed by Colin Minihan (of Grave Encounters, which I disliked) was not what I expected. What I knew about the plot: Jules and Jackie are celebrating their one year anniversary in an isolated cabin in the woods. It is a horror. That’s it! The leap of faith paid off. It was so strong! Great characters. Lots of bad decisions but cleverness too. I won’t say more. Slick 7/10.
(Postscript: Now on Netflix)
TW VAW: ‘A Vigilante’ at the Sydney Film Festival is an affecting film about a woman who has survived intimate partner violence and now rescues women and children from violence. Written and directed by an Australian woman, Sarah Daggar-Nickson, it is a bleak but visually arresting story. Sadie (excellent Olivia Munn) lives a solitary existence and accepts little payment for her services. Most of the violence occurs offscreen or it is retold by survivors – the latter is devastating. The group counseling scenes where women share their stories of leaving violence are painful to watch, but told with great love, respect and care. These are common tales but society turns away from this reality. It was heartening that financial abuse was part of the story, as this is one of the many complex reasons women cannot simply leave. The scenes of violence showing Sadie’s husband are harrowing and triggering because the dialogue and cruelty are vivid. As a story of empowerment, it is difficult to reconcile: most women cannot turn to violence to escape violence. In a superhero origin story perhaps the narrative might be seen as an origin story. But the film is not that. It is presented as a hyper real revenge tale. As a feminist statement, however, this ultimately feeds into the cultural expectation that women need to save themselves or be saved, when the fact is that violence against women and children is a structural issue requiring massive social changes. Regardless, the story treats survivors with compassion. I’m ambivalent about its aim and resolution. I’m glad I saw this and you should also watch it. Then read up on the tireless work of survivors, case workers, shelters, and advocates for whom violence and its aftermath is a daily reality. 7/10