Jenny Munro, the best among titans. She is a Wiradjuri Elder who established various health and community programs in the iconic inner city suburb of Redfern. She founded the Aboriginal Tent Embassy in Redfern that brokered a phenomenal deal with the Government to provide affordable housing for Aboriginal people. She continues to lead the fight to this day, as gentrification threatens The Block. She represents Aboriginal rights at every small and large protest and community event in Sydney and nationally with profound wisdom and clarity on the importance of sovereignty for Aboriginal and Torres Strait Islander people.
Artwork by Adnate. Photo: The Other Sociologist.
At the Corsini Collection: A Window on Renaissance, at the Auckland Art Gallery Toi O Tāmaki. The Corsini family settled in Florence in tge 13th Century and had a stranglehold of power in banking, trade and Government. They had ties to the strongest families in Florence, the Medici (there’s an excellent social network analysis article that documents how families used their social ties to maintain influence). The Corsini also had strong religious capital, with tge cardinals, one Pope and one saint in the family. The latter is seen at the end here – Saint Andrea Corsini. There are two bullet wounds in the painting, which was painted in 1630, and hidden behind a safe wall in 1944. A soldier shot through the wall, noticing fresh plaster.
Eye of the Storm. Jenny Watson. Continue reading Jenny Watson
Do you believe in human rights? ENROL TO VOTE! Against the will of the Australian majority, the Australian Government is imposing an expensive plebiscite on marriage equality… which is not clearly legal (Australians haven’t voted on legislation via this type of postal poll before) and it is not clear if the outcome will be legally binding. The postal vote ensures Aboriginal and Torres Strait Islander people in remote regions will not be counted. Nevertheless, the postal vote is here and we must all vote because a negative outcome in protest is what the Government is banking on to abscond their responsibility to ensure the human rights of LGBTQIA people. Continue reading Marriage Equality Vote
For the past three years, I’ve written about the gender and race dynamics of the chosen portraits, painted by children up to the age of 18 for the The Young Archibald Prize (the “Young Archie”). Most of the subjects are women, especially mothers. Few artists and subjects are people of colour. This year, while mothers, grandmothers and sisters feature, described for their caring qualities, I was delighted to see a handful of works by and about Asian Australians. Remarkably, two of these paintings, one by a nine year old and another by a 16 year old, explicitly depicted themes of death in terms of acceptance and wonder. Truly wonderful.
A ripper of a visual sociology for June-July, 2017, begins with an interview about racism in dating, followed by a jubilant NAIDOC week community event in Redfern. We indulge in a plethora of thrilling art. We travel through Inner Western Sydney. We come upon environmentally friendly revenge by a spurned lover. And the sociology of trolleys gives us three surprising appearances.
This was my day: filming on race and dating with Santilla Chingaipe and Kaila Perusco for Conscious Dating Co. Thoughtful discussion of sexual racism, meaningful relationships, how to address structural and unconscious bias in Australia, and much more. Intelligent, funny and generous women plus an awesome crew, with beautiful food and hosts. Parliament on King is a luscious cafe and it makes for a beautiful set! Book lovers’ heaven. (8 June) Continue reading The Gift
I’m at the “Love Is… Australian Wedding Fashion” exhibition at the Powerhouse Museum.
This was a very interesting exhibition but it’s not really about “Australia.” It’s about White Australia. It starts with a room about “early history” – which begins with “convicts.” Already Aboriginal and Torres Strait Islander people are erased, but to add injury, the room uses an unnamed Indigenous song that plays in the background to a room full of White colonisers. There is only one Aboriginal designer in the entire exhibition – Dharruk and Darkenjung woman Robyn Caughlan (in this video) – but no couples. Continue reading Love Is… Australian Wedding Fashion
The Face Exhibition, by photographer Sunny Brar, features Aboriginal and Torres Strait Islander people who succeed in multiple areas, from justice to sports to film to community services. Here clockwise from top left: Bangarra Dance Theatre dancer Luke Currie-Richardson; lawyer Antoinette Braybrook, CEO of the Aboriginal Family Violence Prevention and Legal Service; educator Clinton Pryor, who is walking across Australia to highlight justice issues for Aboriginal communities; and elder and human rights activist Jenny Munro, founder of the Redfern Tent Embassy.
Artworks: Sunny Brar. Photo: Zuleyka Zevallos.
Tjanpi Desert Weavers
Minyma Punu Kungkarangkalpa (2013), Tjanpi Desert Weavers
Continue reading Aboriginal Art: Weaving, Ocean, Spirits
The works on display are by contemporary artists, some of whom also work in Australia. The artists explore the interlocking influences of religiosity and social activism on modern politics and colonial forces. Continue reading Passion and Procession. The Art of the Philippines